A study of Dada Siegt! through sociohistorical, psychoanalytic, and reception-theory frameworks. Examines fragmentation as a critique of the Weimar bourgeoisie.
Read paper →Curatorial proposal for a sensory exhibition reframing Gorey's The Evil Garden through scenography, scent, and German Expressionist cinema.
Read paper →An exhibition essay tracing Russian art's inversion between 1913 and 1924, from Kandinsky's spiritual abstraction to Klutsis' Soviet agitprop.
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